I paint to evoke a changing language of symbols, a language with which to remark upon the qualities of our mysterious capacities, which direct us toward ultimate reality.

Morris Graves in His Leek Garden - Imogen Cunningham (1973)

Michael Snows photograph from 1960.


Chronophotography - Étienne-Jules Marey (1894)

Chronophotography - Étienne-Jules Marey (1894)